Help to update a traditional living room
I am new to Houzz and volunteered to help my hardworking daughter get advice on updating her traditional Connecticut living room. Her furniture is a mix of new, inherited and estate sale pieces that she would like to use. She has some rolls of silk moire wallpaper that she loves, and would like advice on how to use it. Her ideas are to accent the fireplace wall (which will be sheet rocked) or above wainscoting which her husband can build. The valance will be removed and she is open to new drapery if the floral does not work. She also wants advice on wall and trim color (BM only), fabric to reupholster the wing and round back chairs, furniture and accessory placement.
Thanks in advance for the help.
Thanks in advance for the help.
| Share: |
|
More Discussions


http://www.romo.com/collections/prints-weaves/licia these are really nice !
Carole, she does have enough for the fireplace wall. Any advice on colors for the other walls?
[houzz=Upper East Side]
[houzz=Dining Room]
Is anyone else feeling the silk moire is dated? I'm not in love with the scale of the large wing chair and then the smaller chair on opposite side. I'm not saying the chairs have to match, but I think there is too much difference in scale.
I think i might be inclined to let the dining room be the only space with wainscoting. In a dining room the table is in center and more of the wainscoting shows. I do love wainscoting though.
I like the moire still but feel that shade of blue in moire is a little outdated. I think a grey moire would be a knock out.
Is there another room / the entry hall! / a powder room that she has enough moire for - one with more natural light? Then paint this room and let them coordinate rather than match.
I would paint this room a putty tone, keep a few cobalt blue items, keep the rug and change everything else out to lighter neutral stone, oyster fabrics (think dockers) but in high end, shimmery fabrics. Like http://www.calicocorners.com/product/designer+fabrics+for+the+home/shop+fabrics+by+color/gray+and+silver/termoli+-+robert+allen+fabrics+sterling.do Update the fabric on the big window - platinum velvet panels flanking. No valance. Let the gorgeous traditional furnishings speak with neutral chenilles, velvets, shantungs in very quiet fabrics except for recovering the wing chair in the most gorgeous cobalt fabric she can find. Like http://www.calicocorners.com/product/designer+fabrics+for+the+home/shop+fabrics+by+color/blue/hopsack+-+robert+allen+fabrics+cobalt.do
Then, take the entry into drama, and carry the blue into the dining room with metallic silvery blue walls there. Now the red is just an accent - 10% of the room - blue here is 30%, chair, pillows, art. Stone and oyster neutrals with putty walls 70%. The room will seem fresh and bigger -
look at a putty like la paloma gray http://www.benjaminmoore.com/en-us/paint-color/lapalomagray
If she's hesitant about wallpaper on ceiling (she has to really love the one she has) then I would try painting and stenciling to give similar effect without the headache of removal.
Trasgorshek and Lkristine, fantastic ideas. I love the upholstery choice for the small chair. I think that she should have the chair repainted to,a softer color when she has it done. I also like the gray/blue paint color for the walls I think I have it in my Ideabook.
I think there have been some good suggestions and she can review them. Or she might want to choose one of her favorite rooms from the ideabook and try to acheive something similar.
I think less of the wainscoting will loosen up the tradtional formal feel of the room, unless staying more formal is what she wants.
Hope we get to see a finished room later.
Does she plan to keep the sofa table? Is she keeping the two small cross leg ottomans? Could they go under the sofa table ( or is there a lower shelf on sofa table?)
I really like the shape of her sofa. But we are making suggestions without knowing what items must stay and what can go. What is she willing to recover etc.
I'd like to see some more modern fabric on her wing chair ( like the orange chair in one of her ideabook photos, even though the fabric does not have to be orange). I think it will freshen up the very traditional museum like feeling the room has now.
If she wants the FP wall to be highlighted, perhaps a modling detail similar to the photo I posted with the wainscot on just the FP wall.
I would choose her fabrics and then decide on a wall color.
If she is going for a more "classy traditional" look (as opposed to a country home or classic old Americana), this awesome room has great potential. You could do the following on a budget of between $350 (if you do it all yourselves) and $1200:
1. WINDOW COVERING- I would remove the valance and opt for a window covering that is less obtrusive (in both color and relief), thus giving more "space" to the room. Flower prints/patterns really speak too loudly in a small space so I would go for a single color.
2. LAYOUT- Currently, your sofa and sofa table delineate this space as a "room." I would reorient the furniture layout by placing the sofa against the window wall (need that less obtrusive window covering here) or against the left wall and place the two RE UPHOLSTERED chairs with their backs facing us from the direction of your photo shoot. If possible I would put a small accent table or your end table (or nothing) between the two chairs. I would use the rug and coffee table to help orient the central space of the room, with the various pieces of furniture creating the periphery or the outside boundary that help bring the "room" together as a gathering or conversation area. This will help to make the room feel more open and thus seem LARGER and with better (chi) flow...
4. WALL COLOR/FINISH- The Bold red of the room is great for a larger space, but speaks very loudly in a smaller space. Several of the color suggestions above are excellent wall colors (accented with off white wood trims). Behr (very affordable) has a silver sage color that works really well in smaller spaces like this room.
5. WALLS/ACCENTS/LIGHTING- To finish off the room I would replace the beadboard/plank wall behind the fireplace with a flat surface. Wall textures, patterns, relief details and the like, take up a lot of visual space and add to the smallness of any room. I would also replace the wall sconces with something with small black shade(s) which are not as glaring to the eye as an uncovered bulb. Also, the small black shades cast a vertical light pattern unto the wall for a really classy effect, making your fireplace and mantle area really pop as the true focal point of the room.
Best of luck...
Some of your ideas are already a given, and once the bones of the room are done we will certainly move the furniture around to determine the best placement.
Where is she using the fabric?
Julie Thorne, I will have my daughter contact you when she is ready to select her window treatments. Do you have any contacts for an upholsterer in the area?
Nancy22032, thanks, that is the look she is aiming for, a classic, serene room.