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1. Chadwick House. One in a group of three homes, the Chadwick House was designed in 1904 by architect Harold Desbrowe-Annear, who built the house for himself and his extended family. Desbrowe-Annear was instrumental in introducing open-plan living into residential projects and often incorporated modernist Australian ideas with Gothic revival principles into his work.

The home's unpretentious exterior is covered in two different materials — the lower section in beveled timber boards, and the upper in roughcast panels. The vertical wood patterns on the U-shaped balustrades on the veranda extend up to the gables, showing off the architect's Gothic-inspired ideas.

Desbrowe-Annear considered the extreme shifts of Melbourne's climate when designing the house. He cleverly concealed ventilation ducts in all the ceilings and placed windows to catch the winter sun and summer breezes. He took inspired English designs and made them work for Australia's sunburnt landscape long before sustainable architecture was fashionable.

Photo by Wikimedia Commons user Hayhayleyley
640px-Chadwick_house_in_Eaglemont,_Victoria_Australia.jpg
2. Ailsa House. This home's architect, Bertrand Waterhouse, was a well-known Sydney architect who took most of his inspiration from British architects C.F.A. Voysey and Baillie Scott. Waterhouse believed in simple, straightforward designs free of unnecessary encumbrances.

The Ailsa House, designed in 1908, offers a typical example of Waterhouse's Arts and Crafts style. This house has a sandstone foundation. Sandstone is the bedrock for most of Sydney — it has distinctive earthy qualities and was often used in buildings of this era.

Rising up from a single-story kitchen to two stories at its gabled entrance, this house is made up of a series of steep gabled roofs, roughcast exterior walls, protruding balconies and shade-stone arched openings. On every elevation, bays and balconies provide built-in seating. Like many of Waterhouse's homes, the Ailsa House is adorned with exposed timber ceiling beams and wainscoting in the main interior rooms.

Photo by Wikimedia Commons user Sardaka
(1)_Ailsa.jpg
3. St. Ellero, Appian Way. At the start of the 20th century, businessman George J. Hoskins bought 80,000 square meters (almost 20 acres) of land in Sydney. In partnership with designer and builder William Richards, Hoskins had a vision to build beautiful homes and rent them out to people with social standing. Richards designed many of the homes on this site; two (including St. Ellero) were designed in the Arts and Crafts style.

Typical features of this period stand out, such as the white roughcast rendering, pebble dash walls, low roofline, sandstone around the windows and doors, and repeating chimneys.

Many architects of this time shared the belief that by showcasing certain construction materials — such as wooden pegs in the beams and bare stone and brick — you revealed the building's true beauty.

Photo by Wikimedia Commons user J Bar
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4. Craignairn. Architect Howard Joseland built this house in 1909. He migrated from England to Australia, with little fondness for the Victorian architecture he left behind.

Joseland's homes were designed for the climate. He often positioned large verandas on several sides for summer shading. He also liked to display the materials he used. His interiors were full of rich paneling made of local timber.

Craignairn is a great example of Joseland's design principles. This project is an imposing two-story brick home with striking stone features on the pillars and around windows. Originally the roof and the balconies were made from oak shingles — a new element that arrived from the United States.

Photo by Wikimedia Commons user Clytemnestra
Howard Joseland-SydneyBuilding0183.jpg
5. Devon. Designed by owner-architect Arthur Leslie Bayley in 1923, the Devon house technically falls outside the Arts and Crafts era, but it is still a striking example of the period in Australia.

In 1904, 101 acres of land was subdivided in Sydney's Centennial Park — and each plot came with a caveat. To ensure a high standard of construction, no wooden structures or terraces were acceptable. Instead, only brick or stone was to be used, with only tile or slate roofs. The Devon house shows how an architect could follow these standards with beautiful results.

Photo by Wikimedia Commons user Sardaka
640px-ArtsAndCraftsHome.jpg

Comments

Rough Linen I have just spent a lovely half-hour Googling each architect and reading about their houses. The next time I am in Sydney I want to visit Nutcote!
3 months ago · ·
tcufrog I'd love to see the insides. These are gorgeous homes.
3 months ago · ·
patricia beharry Now these are houses.. Gorgeous.
3 months ago · ·
riconsd Thx for these love to see more.
3 months ago · ·
margaret700 Looks like I could live happily in Australia...
3 months ago ·
Maree Persen What a great article. I lived the first 27 years of my life in Sydney and spent several years in Neutral Bay - I used to walk past Ailsa House and Nutcote (mentioned by another person below) all the time. Back then I didn't even realise this style of house was Arts & Craft - I just knew there was something elegant yet uncluttered about the style and that I loved it. Thank you for this wonderful feature - so nice for an international audience to see we're not all about modern glass & steel structures here in Australia.
3 months ago ·
leesgang Craignairn resides in beautiful Burns Rd and is one many beautiful homes in the street. I always drive past and drool. Folks, these houses would set you back many millions of dollars. We can only dream...
3 months ago ·
Joy_Marie Butler Yes I know Craignairn in Burns Road - one of the most beautiful streets/roads in Sydney. And beautiful homes - worth millions of dollars each. But I do like to dream too....
3 months ago ·
apennameandthata I know this is pretentious to say, or just pretentious, but those homes all make me feel really physically uncomfortable. Not a word of exaggeration. I don't think that it matters that I am from Australia. I think the Art Nouveau curves really set me off. Give me modern or a Queenslander (weatherboard, deep verandas), or post war, any time.
3 months ago ·
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