Discover Modern Architecture's Appeal
Do modernism's 'cold' expanses make you hot under the collar? This reasoning may change your mind
Eric Spry is a Houzz Contributor, architect (http://www.spryarch.com) and blogger living in Phoenix, Arizona
Eric Spry is a Houzz Contributor, architect (http://www.spryarch.com) and... More »
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The word "modern" provokes such strong reactions in the world of residential architecture. Some people might imagine wonderful homes of steel and glass with open, flowing floor plans; others might imagine sterile homes that feel like museums, complete with men in red suits watching carefully that nothing is touched.
Strong opinions abound about modern architecture, as they do regarding the wide variety of other architectural styles.
Strong opinions abound about modern architecture, as they do regarding the wide variety of other architectural styles.
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| Merriam-Webster's dictionary defines the word "modern" as "Of, relating to, or characteristic of the present or the immediate past." Other dictionaries add, "as opposed to the remote past" to the end of this definition. What exactly constitutes present and immediate past (within the scope of modern) or remote past (outside the scope of modern)? The answer is not measured in years but in advancements of technology and construction methods that generate lifestyle changes. For example, Native Americans built with adobe and stone for hundreds of years because that was the available technology. Yet, since the industrial revolution, constant technological advances have led to continuous lifestyle changes, impacting modern design. Modern is about now — what's current — not the past. Modern architecture is a snapshot, like a photograph, that timelessly represents the present. How does modern architecture represent its time? |
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| Spatially Our lifestyles today are considerably different than the lifestyles of 50 years ago, let alone the lifestyles from 100 or 200 years ago. Architecture must represent the way we live today, not the way we lived hundreds of years ago. Remember parlors? Not many would. These were sitting rooms common a hundred years ago where guests were greeted. Our lifestyle changed, and parlors were weeded out. The image shown here is a modern floor plan. Note the great room — kitchen, dining area and living area all in one space. No formal dining area, no extra fat. Trim. Lean. |
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| Materials and Technologies Five hundred years ago, Native Americans built with adobe and Europeans built with stone. Homes had thick walls, small and deep-set windows, and small interior rooms. Technologies such as steel later allowed large expanses of space and large expanses of glass. This photo shows Mies van der Rohe's Farnsworth House. Finished 62 years ago, the Farnsworth House is a terrific example of how modern materials from the 1950s, such as steel, impacted modern design. The Farnsworth home is characteristic of its present, our immediate past, and is still considered modern for today. |
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| Aluminum allowed for large expanses of inexpensive operable glass. The Case Study House was born while we figured out how to implement postwar technologies. This photo displays a Case Study Home designed by Charles and Ray Eames: open interior spaces; open expanses of glass. |
Using steel with glass allowed a connection to the outdoors from the interior that was not previously possible.
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| Engineered lumber and structural steel allow large expanses of unencumbered space. |
Today, with energy-efficiency concerns, materials like structural insulated panels (SIPs) are important along with new methods of prefabricated construction. Homes can be built in factories, reducing waste and the various inefficiencies of other construction practices.
This project uses many modern energy-efficient solutions, including solar panels, SIPs and straw bale to weave together a modern home.
This project uses many modern energy-efficient solutions, including solar panels, SIPs and straw bale to weave together a modern home.
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| Avoiding Trends A few years ago, a magazine devoted an entire issue to Tuscan architecture. The problem was, the style purported to be Tuscan was merely an ordinary home wrapped in a Tuscan skin. For six months my phone rang with potential clients asking for Tuscan architecture. True architecture from Tuscany represents its place and environment. Tuscany has an ecology and readily available materials and stones. Tuscany has a history and a context. It makes little sense to design a Tuscan-skinned home in the Sonoran Desert. Here is a modern courtyard akin to the wonderful courtyards of true Tuscan architecture, illustrating that one can apply principles of good design, regardless of how ancient the architecture may be, in a modern context. |
| Authenticity Avoiding trends gives modern architecture an authenticity that other styles lack. As I mentioned earlier, it makes little sense to design a Tuscan home in the Sonoran Desert, or a pueblo home today, given that our technology is so radically different than what was available 250 years ago. Ayn Rand's main character in The Fountainhead, architect Howard Roark, said it well: “A house can have integrity, just like a person; and just as seldom.” Too many homes lack integrity because they lack authenticity. This entry is simple, clean and genuine. Nothing is aesthetically unnecessary. |
This project expresses its structure in an honest and rhythmic way.
| A modern home should represent how we live today. It should reflect current construction methods and materials. It should have integrity by avoiding trends. Modern architecture offers an opportunity for an original beauty, not by imitating another style from another time or place, but by considering the present and, with imagination, creating a fresh aesthetic. That is modern. Related: Have It Your Way: What Makes Architecture Successful |
Ideabook updated on Feb. 24, 2013.
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I love traditional architecture and own a Victorian bungalow. The exterior is a simple rectangle; it is the outermost limit of modern energy-efficient renovation; the interior is minimalist and comfortable, in the spirit of Sarah Susanka's emphasis on craftsmanship and efficient design.
Thanks for this ideabook, Eric Spry. It's probably not going to convince anyone, but that's okay, too. Modern design likes to stand out from the crowd and its lack of mass popularity serves the purpose.
A modern home, open to the outdoors, lacks that 'safe haven' feel and makes most people uncomfortable. Others, me included, need openness to breathe.
The greatest architectural divide, to me, is between authentic and fake. A turn of the century Craftsman, an old Victorian, ... vs. all those phony 'old world charm' buildings that seem to be so popular today. Authentic traditional was modern when it was built, and both, traditional and modern, have their own right to exist.
@kellystevens, a tremendously insightful comment...I wish I had thought / written it. I could not possibly agree more, too much home building is driven by builders and not architects, and they absolutely cater to popular taste building the trendy equivalent of bell-bottoms.
@midmodfan, love your last paragraph, right on. The divide is authentic vs. fake, too many homes are stage props, skins of some extinct style, built for curb-appeal only.
@ Roots and Rafters, I'm afraid you may have missed the point of the article. Although I will concede that modern can become a trend or a style just like any other. Sort of the equivalent to a teenager who wants to be different so he or she dresses in unusual attire and ends up looking just like his or her friends. That is not authentic or very original.
However, the point in the article is that what we call modern can evolve because it is about the current, it represents the moment. Not a moment from 200 years ago, but now.
I don't see a need, nor do I see the benefit, to design in another moments style, in other words, a style that represents a previous period of history.
Just as there are many family types and age groups who possess houses, so there are many different architectural needs, and saying that new buildings should be built in one style alone because that style is "of the moment" is to completely discount the needs of clients.
Perhaps you only take on one kind of client that requires the kind of house that you personally prefer to build -- but you cannot extrapolate that client or that set of needs to all clients and all newly built homes, and you cannot say that there is no benefit to building new structures in styles other than modernism.
Or, rather, you can say it -- but it will be arrogant, and it will not be true.
You say "I was merely saying that there is no one single style that is uniquely "of the moment" or uniquely suited to modern life." you also say, "and saying that new buildings should be built in one style alone because that style is "of the moment" is to completely discount the needs of clients."
Again, the point of the article is to suggest that modern is NOT a style in the sense that we normally think of styles (Tuscan, Old World, Santa Barbara), which tend, at times, to be dated, trendy and inauthentic. Modern requires a broader definition and should transcend style. I think I make the point quite clearly as to why I believe that, you are welcome to re-read the article.
But, we do both agree that architects tend to be arrogant...so that's something...
Maintenance and Privacy are issues that need to be addressed when using a lot of glass. Both issues can be overcome with some thought and creativity (and some teenagers).
@ deleve, the floors may be integral color concrete, sealed and polished.
I agree with the one commenter that too often our new neighbourhoods' styles and design are controlled by what I term the "home builder machine". For this group it is all about making money by marketing a lifestyle, often without regard for the location and definitely without regard for truly useful features, either. For example, "soaring vaulted ceilings" sounds awe inspiring in the brochure, but it is often uncomfortable to live, not to mention the energy costs of heating or cooling that unused volume of space! I'm not saying there isn't a place for vaulted ceilings in design, but that place is unlikely to be in the average 2500 sq ft house.
It depresses me to see these cookie cutter neighbourhoods with little to distinguish one from another. And here I blame the urban planners. Architectural controls seem to be the urban planners attempt to prevent chaos, but it backfires, resulting in a boring repetition of forms and a reworking of past design styles. Of course the home builder machine loves this, too, as they market the neighbourhood as part of the lifestyle they are selling. There needs to be a loosening up of these controls if we are to see innovation.
What we really need are more architects looking at each lot and each buyer, examining their clients real lifestyles and personalities and combining this information with current technologies. I think this would lead to much more imaginative, useful and modern designs for now and the future.
@izzymandias, Modern architecture isn't going to appeal to everyone just as Tuscan, Mediterranean or Traditional styles don't. Imagine a world where everything was the same. I'd be bored to tears.
@ sefac, perhaps the two can go well together...
@ shawna, great insight, thank you.
@ tim, great analogy (music).
It's unfortunate that you and Roots believe that a modern architect must be arrogant or condescending (feeling of superiority). That's just not the truth. Name calling always reduces meaningful discussion to a Jerry Springer show.
So much I could say but I've already said it in this article and my previous article...perhaps you should read that one also.
In this forum, there's no need to be explicit about the biases, because it's mostly safe to assume that everyone shares them.
Try reading the comments from the view of someone who isn't already enamoured of modern architect, and you may see the posts take on a different hue (or shade of white, if you must).
@ sefac, agreed. However, what is the best brand of whiskey to drink while in a modern home? Difficult question...
@ shawna and dschrader, the point I had hoped to make in the article is that modern is not a style the way we think of styles, but more of an evolving idea (or mindset) that meets the needs of it's time; a way to address current issues with imaginative solutions producing a look (style) that is original, unique.
Sorry about that tangent. The point is.. you are right. Archectecture should reflect the times and the technological advancements and posess authenticity. Thank you for your thoughtful article.
oh for want of a smart house. Grout free, wall mounted toilets, in floor heating (no furnace, less to no dusting), flush or wall mounted cupboards (or tall enough for the roomba to clean under), stairs that are dog/kid/elderly friendly, solar, rain barrels, windows on all four sides, insulation. I know, I ask too much. Smart and energy effecient homes will indeed be the 'modern' keepers of 2013-2023... and none will have a parlor.
Izzymandias above is absolutely correct, modern architecture is an expression of superiority but not against ones neighbour but against ones surrounding, nature. This is why modern residential architecture is such a divisive style.....we are products of our environment, familiar with a theme of curving and flowing lines; straight/square lines are sure hard to find in our environment.
The most daunting challenge in architecture is making sharp corners feel soft and comfortable and this is one of the major reasons why modern residential architecture has not taken off (other than the communist condo). Residential architects are not getting it - they don't know how to make their interiors comfortable. The other major reason is construction costs - everything is so seamless that there is very little room for error, most of the trim we all love and adore in "heritage", Craftsman or Victorian architecture actually originate to cover up unsightly gaps or seams.
In short, Eric's definition is correct :)
A bit off topic, but here it goes: Brazilian modern architecture is somewhat similar, but stems directly from Brazilian modernist architecture leaded by Lucio Costa, Rino Levi, Lina Bo Bardi, Oscar Niemeyer, Paulo Mendes da Rocha (this one still alive & kicking and probably the best in the country today), Vilanova Artigas, Zanine Caldas, Carlos Millan, João Filgueiras Lima (Lelé), etc. It is rooted in the following principles: 1) Pilotis; 2) Garden terraces; 3) Open floorplans; 4) Wide glass windows; e 5) Clean façades.
Finally, a couple pics of the local favorites are attached (most are public building by Niemeyer).
P.S.: @judlittle, your comment was so thoughtful that I subscribed just beacuse of it.
Cheers, Ricardo
It seems to me that today’s modern architecture is still being ruled by ‘open’ ideas, bold ideas that came near the time of its birth. With today’s climate, real modern architecture, sadly, might have bars across the windows and turrets with machine guns on them.
I just love the way you explain this 'little' concept to all of us because, you know, some people tend to forget way to much the... uhmm... wait... what? I just couldn't resist to notice there is a cow in the garage!
Anyways, great post! I already bookmarked it just in case :)
Thanks.